Showing posts with label clark terry. Show all posts
Showing posts with label clark terry. Show all posts

Wednesday, June 20, 2012

Philly Joe-Ism



In today's post we are going to be talking about learning and applying a great four-bar phrase from Philly Joe.  You can hear this phrase twice starting at 3:51 in the recording above, which incidentally is from the album "Kelly At Midnite" that I recommend everyone check out.

Two elements that make this "Philly Joe-ism" so great
This elegant phrase has two elements that make it particularly ear-catching.  The first and most obvious is the left-handed triplet that Philly Joe builds an exciting tom melody on top of.  The second is the way he paces the phrase so that it starts out relatively uncluttered before building to a climax in the sextuplets of the fourth bar.  Here is what it looks like on the page:


Tuesday, March 27, 2012

Why Memorize?

When I was a younger drummer, I rarely had the patience necessary to memorize anything I was working on that was longer than a couple of bars.  I was so eager to get on to the next thing, that spending painfully frustrating hours just memorizing what I was working on felt like a waste.  Furthermore, I think I carried over a very common bias from the rest of my liberal arts education into my approach to jazz; that is that it is less important to memorize particular facts than it is to understand the overall scheme of things.


As I have matured in my playing and my approach to learning music, I have come to the realization that this imported bias towards memorizing is actually fundamentally wrong.  In fact, the only way to learn jazz (and music generally) is to spend real time and energy memorizing.  There is simply no alternative, here are a couple of reasons why:


1. Jazz is an oral tradition
Unlike the western educational tradition, jazz comes from an older oral tradition.  That is to say, information is transmitted through memory, not the written word (or note).  This is not to say that reading music isn't useful, but rather that is helpful secondary skill.  Essentially, just about everything that you do in jazz needs to come from some combination of your memory and imagination.