Ballads and calligraphy
This is sort of the opposite end of the spectrum from the last post. To me, great ballad drumming is somewhat akin to Japanese calligraphy. In order to work, both art forms have to be approached with almost unselfconscious mastery and be defined as much by negative space as positive (check out 4:59 above for a stunning example of negative space). Here is a excerpt from the related Wikipedia article:
"For any particular piece of paper, the calligrapher has but one chance to create with the brush. The brush strokes cannot be corrected and even a lack of confidence will show up in the work. The calligrapher must concentrate and be fluid in execution. The brush writes a statement about the calligrapher at a moment in time."